Food in Canadian Film, Part 4: Take This Waltz

by Ilinca Enache

In Sarah Polley’s film Take This Waltz, 28 year-old Margot struggles to make sense of her feelings for her husband Lou in light of her recent flirtatious relationship with her neighbor, Daniel. Food plays a crucial role in this film: the type of dish Margot eats with each of the two men reflects the point they have reached in their respective relationships. A dull dessert, in other words, signals that the end is nigh. Margot always ends up in the same place: eating fruit salad, making blueberry muffins and living in what she sees as a dreary relationship.

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Food in Canadian Film, Part 3: Les bons débarras

by Natasha Shalliker

Throughout Les bons débarras there are many scenes in which characters interact over food and drink. However, protagonist Manon – the troubled and trouble-making daughter of single mother, Michelle – does not eat at all throughout the course of the film, and her lack of appetite becomes a subject of narrative concern. For Manon, food is a vehicle of control and a way for her to exercise power as she works to make her dream — to have her mother’s love all to herself — a reality.

One of the most pivotal scenes of the entire film centres on Manon’s refusal to consume a hot dog during her birthday party. During this scene, Manon refuses the hot dog in the same moment that her rude, cruel, manipulative comments and rule-breaking behaviour come to the fore; she tells her mother that Michelle’s boyfriend has molested her. Although we have no way of knowing whether or not this is true, Manon’s manipulative behaviour throughout the film causes us to doubt the veracity of her statement. As a result, Michelle ends her relationship with Maurice, which means that Manon can monopolize her mother’s attention once more.

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